Introduction of the Model for the Management of the Movement of Amateurs Artists

Abstract

The research proposes theoretical and practical components that support the model for the management of the Amateur Artists’ Movement, at the University of Pinar del Río. As objective, to creating the conditions for the introduction of the model, for which a pre-experimental was carried out. Its predominant methodological approach was mixed with elements of qualitative and quantitative research. Interviews and surveys were conducted with amateur artists and managers, scientific observation, modeling, historical-logical analysis, analysis-synthesis and induction-deduction procedures, and descriptive statistics techniques, which served to outline the theoretical assumptions that support the structural components of the model. The actors, their functions and relationships are determined, from collaborative work and responsible social participation, with the determination of the mechanisms, instruments, means and channels that facilitate the process.